Traditionally in
an orchestra, there is a conductor that leads; however, we do see some Youtube
videos or public orchestra performances without conductors. On November 24th
, The New York Times talked about one special Philharmonic performance
without official conductors. After Itzhak Perlman resigned as the Westchester Philharmonic’s
artistic advisor and primary conductor in the middle of the 2010-11 season, the
orchestra began to play with guest conductors and soloists who lead the
orchestra. According to Joshua Worby, the philharmonic’s executive director,
who has been involved in negotiations in recent weeks, the orchestra hopes to
install two new conductors soon. But for the moment, the guest-leader policy
continues, and arguably to concertgoers’ advantage, since the next person to
assume the role will be one of the leading pianistic thinkers of the day,
Jeremy Denk. He is being billed as the soloist-leader in a November 24th concert
featuring Mozart’s Piano Concerto No. 25 at the Performing Arts Center of
Purchase College. A Mozart sonata and works by Beethoven and Haydn will round
out the program.
Personally, I do
not agree with the idea of a professional soloist conducting the orchestra.
Although I’ve seen videos of Zimerman Beirnstein conduct the orchestra during his
performance of Five Beethoven Piano Concertos, I think the orchestra still
needs an official conductor, that is one that has been specifically trained to
do just that. The most important role a conductor plays is to lead symphony members through
rehearsals and performances. He or she accomplishes this in part by standing on
a podium in front of the musicians, while executing a series of specific arm
movements. The musicians interpret these movements, gaining information such as
how fast or loud to play. A conductor learns standard conducting patterns as
part of his or her education, but each develops his or her own style or
approach over time. Fundamental knowledge of every instrument is standard as
well (which is not necessarily a prerequisite for professional soloists), and
during the rehearsal process, conductors might physically demonstrate or
verbally describe exactly what they want orchestra members to do to get
specific sounds. Without an in-residence conductor, the orchestra does not have
many opportunities to rehearse with conductors and get accustomed to them and
their conducting style or incorporate their specific musical demands.
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