For several years I have been following the composer Nico
Muhly’s work. I first heard an eclectic piece of his on YouTube, maybe around
2006-2007. I can’t remember what the piece was called, but I did remember his
name, and took time to listen whenever I heard it pop up again. This month, he
has premiered “Two Boys,” an opera commissioned by the Metropolitan Opera.
Muhly is the youngest composer the Met has ever
commissioned. Though this is a feat in itself, the opera also breaks new ground
with its subject matter and performance concepts. The plot unfolds the real
life story of a 16-year-old boy who was antagonized to attack a younger boy by
participants in an internet chat room in 2001. Described by the New York Times,
the performance takes place almost entirely digitally, as the main characters
sit at desks in front of computers. Every member of the chorus stands in the
background, holding laptops as they sing and babble in the style of digital
whispers.
Unfortunately, the opera received only a mediocre review in
the New York Times. However, it is part of the Metropolitan Opera’s new effort
to program more modern works, as Kyle mentioned below. I think the opera is
innovative enough to entice the public back into the concert hall, regardless
of whether it is considered a masterwork or not. I would certainly take
advantage of any opportunity to see it.
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