Sorry for the lateness of these questions!
1. What is your opinion on the future of the job market for classical musicians?
2. With the recent strike of the Chicago Symphony, what do you think the future holds for big name orchestras? And what of regional and smaller orchestras?
3. There seems to be a certain lingo among classical musicians when they speak of lesser known repertoire, do you think there will ever be a day when people on the streets will be speaking of Ravel's String Quartet? Or other pieces that are not well known to the general population?
-Noah Dresser
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